• Natasha Moss

    My journey as an artist has been a long, often frustrating process of self- discovery. For years, I felt the need to embody a certain "artist" stereotype- deep, complex, driven by intense, conceptual narratives. I pushed myself to be more profound, to work from a brutally honest, biographical place, and to examine my own methodology, feeling I had to match this idealized image of what an artist "should" be. But what does that even mean? At some point, I began to believe that to be relevant in the art world, I had to dig into my wounds, history, and political beliefs, to tear at the depths of myself. Looking back, I see how naive this was, but it weighed heavily on my subconscious and led me to create from a more forced, less authentic place. Revisiting Marcel Duchamp's work, especially 3 stoppages, was a revelation. Though I don't claim Duchamp's punk-like spirit, his process of dropping thread and letting it form shapes naturally made me reframe my own desire for synergy and instinctiveness. I realized I could start from a place of instinct, rather than pressure, in my work. While completing my Bachelors degree in Fine Art at Central Saint Martins, wanted to find my truest, most natural self-to access a subconscious flow rather than a strained portrayal.

  • Ellie Damant

    I always loved painting and drawing. When I was a little kid of 2 years old, I began drawing characters in alphabet letters to make it fun for myself to learn. Growing up I'd make art of invented secret worlds in my head. As a teen I also loved philosophy, physics, creative writing and music and got a place at Kings College, London, on a physics degree. But art was closest to my heart with its philosophical and social power, rebelliousness, immediacy and the visual image's Shakespearean potential for multiple meaning. Having worked hard at my London comprehensive, I won a type of scholarship to Oxford called an 'Exhibition' for the Bachelor of Fine Art degree at The Ruskin School of Art. Here, I could study anatomical drawing to a medical level from human dissections at the university anatomy department as The Ruskin is one of the few art schools in the world, following the knowledge of great Renaissance masters, Leonardo and Michelangelo. I graduated in mixed media: film, photography and printmaking. After uni, I began my self-taught painting practice, and alongside teaching art and qualifying as an educator, I took an MA in Philosophy and Aesthetics and began a PhD in Philosophy. I began growing a successful business as a commissioned portraitist in oils and unveiled paintings at Mansion House and Painters Stainers Hall in London. Contributing the creation of a portrait painting as an auction lot to the Lord Mayor's Appeal was particularly enjoyable. I was thrilled when this became the highest selling auction lot at the Lord Mayor's event at Royal Ascot that year.

  • Sinatra Zantout

    Sinatra Zantout is a Lebanese-Nigerian painter whose work focuses on the untold stories of women of color in lower-income societies. Raised between Lebanon and Nigeria, her dual heritage heavily influences her artistic expression. Her distinctive style, "Masqueradism," utilizes African masks to explore themes of identity, resilience, and the hidden struggles of women. Through vibrant colors and bold compositions, her series "NO EYE CAN SEE ME" highlights the challenges women face in navigating motherhood, financial hardship, and societal pressures.

    Sinatra’s work aims to challenge stereotypes, bring attention to social inequality, and celebrate the strength of women who often remain unseen. Her exhibitions have been showcased in London and Lagos, including at the Rising Tides Exhibition and +234 Art Fair. Her art has also been featured in publications such as UN X The 34 Gallery for Mental Health Awareness and Radr Africa.

    Looking ahead, Sinatra continues to document the experiences of women in lower-income societies, giving voice to their resilience and inspiring recognition of their contributions.

  • Venetta Nicole

    Venetta creates portraiture and abstract scenes as a means to impart internal journeys of relevant subjects and relevant emotions. Each piece of art that she creates examines our unseen internal journeys experienced, hoping to evoke comprehensive conversations with those that see them, no matter where on the globe they may find themselves.

    Venetta’s work captures ambiguity, inviting the viewer to reconsider what is being prioritised in the visual space. Her art incorporates a sense of movement achieved by using harmonious patterns, symbolic motifs, and a bold, bright colour palette with intentional compositions. Venetta Nicole also commits to creating a narrative on canvas that invites viewers to embark on an internal journey of interpretation and introspection.

    Working in mixed media, which includes acrylic, oil pastel, and charcoal on canvas, creates depth and meaning. Venetta’s artistic vision embraces a fusion of Abstract art, Expressionism, and Pop art; using these styles gives her the freedom of creating a unique visual language.

  • Vane MG

    Vane MG is an Artist and Designer from Colombia based in London. Painting, Street Art and Digital Illustration are some of the mediums she
    uses. Her work is characterised by bright and neon colours and includes elements of her Colombian roots, fun elements of her Toy Design experience and her characteristic, Heart Eyes on her realistic female portraits full of more hearts and London vibrations. She has had the opportunity to work with many institutions around the UK including places such as Kew Gardens, becoming the first artist in the world to paint inside the walls of the gardens. Other places she has shown her artworks include The Tate Modern and The Wellcome Collection Museum. Winner - Best Latin American Visual Artist in the UK 2024 by LA United. (The official Latin American Awards in the UK) and being selected in 2024 to be part of the best 5 street artists in Shoreditch by Shoreditch Modern Gallery. Her objective is to attempt to reclaim elements of the cultural past, integrating it with the present and creating new, colourful images looking for her own identity.

  • Elizabeth Rhona

    Elizabeth Rhona (b.1999) is an artist who received a BA in Fine Art from Staffordshire University (2022) and an MA in Painting at The Royal College of Art (2024).

    Elizabeth Rhona’s paintings focus on the imagery of metamorphosis, playing with the concept of growth by creating otherworldly forms. These paintings can be twisted organic forms of unrecognizable traditional ornamentation. Her practice has been influenced by Grotesque Art, the main elements of which she incorporates into her practice are: symmetry, ornamentation, and transformation.

    In particular, Elizabeth Rhona paints hybrid beings of flora and flesh to reflect the changing nature of women and to oppose the traditional perception throughout history. In her paintings, she transforms female figures into beings of organic moresque scenes using a repeated curved motif inspired by classical Flora and Fauna elements in Grotesque Art. The motif links imagery of nature and flesh, ultimately representing life and decay.

  • Liam Dunne

    Liam Dunne is a 29-year-old artist who graduated with a Master's degree from Central Saint Martins. He gained recognition after appearing on Sky Arts' "Portrait Artist of the Year" and has won prestigious competitions, including London Art 2020. Dunne's work primarily focuses on painting flesh, but his unique incorporation of time adds an additional layer of depth and complexity to his subjects.

  • Emily Hana

    Born in Tokyo, Japan in 1990, Australian multimedia artist Emily Hana delves into the ethereal essence of light, transforming it into a tangible three-dimensional material. Her exploration extends beyond mere illumination; she investigates how light shapes our perception of space, infusing it with a sense of nostalgia and introspection. Hana's work has an interest in intimacy both internal and interpersonal, and her work strives to illuminate these moments.Working predominantly with discarded and found objects Hana crafts multidimensional canvases that evolve as viewers navigate around them. Her unique approach transforms the unwanted into something of value, symbolising the power of reclaiming value from the disregarded. Each piece, a metaphor for embracing discomfort and finding beauty in unexpected places, reflects Hana's personal journey of growth and healing. Although having worked as an artist for several years, Hana came to painting in 2020, showing a distinct split in style. While the overarching interest in sculptural forms and their interactions with light is still evident through her current paintings, Hana's work has become grounded in the physicality of woodwork and painting. Throughout her career, Hana's work has been featured in numerous prestigious exhibitions, including the Royal British Arts Rising Stars Exhibition at the Royal Overseas League Mayfair in April 2023 and Glimpses group show in October 2022. She was also shortlisted for the RBA Rome Scholarship in both 2023 and 2024.

  • D.N.Z

    D.N.Z a stencil street artist based in London UK. Known for creating vibrant and sometimes controversial works on both streets and canvas. Their
    murals can be found in Los Angeles, Denver, Florida, and the UK. D.N.Z's canvas pieces are also featured in galleries in the UK and US, making their art accessible to fans and collectors worldwide.